| Family: A Portrait of Gay and Lesbian America, by Nancy Andrews (1994). Harpercollins. |
| At Ease: Navy Men of World War II, by Evan Bachner (2004). Harry N. Abrams. |
| Days of Hope: 70's Gay San Francisco, by Crawford Barton (1994). Heretic Books. |
| Stolen glances: Lesbians take photographs, by Boffinn, Tessa, & Fraser, Jean (1991). London: Pandora Press. |
| Affectionate Men: A Photographic History of a Century of Male Couples (1850s to 1950s), by Russell Bush (2002). St. Martin's Press. |
| Adonis: The Male Physique Pin-Up 1870-1940, by David Chapman (1997). Heretic Books. |
| The Complete Reprint of Physique Pictorial: 1951-1990, by Taschen Publishing (1997). |
| Von Gloeden ieri e oggi, by Giovanni Dall’Orto (1993). Milan: Babilonia. |
| Dear Friends: American Photographs of Men Together, 1840-1918, by David Deitcher (2001). Harry N. Abrams. |
| The homoerotic photograph, by Ellenzweig, Allen (1992). New York: Columbia University Press. |
| Who's a Pretty Boy Then? One Hundred & Fifty Years of Gay Life in Pictures, by James Gardiner (1997). Serpent's Tail. |
| Couples: A Photographic Documentary of Gay and Lesbian Relationships, by John Gettings (1996). University Press of New England. |
| Disease and representation: Images of illness from madness to AIDS, by Gilman, Sander L. (1988). Ithaca, NY: Cornell University Press. |
| Fotografie, by Gloeden, Wilhelm von (2000). Firenze: Alinari. |
| Wilhelm Von Gloeden: Taormina, photographed by Wilhelm Von Gloeden; edited by Ulrich Pohlmann (1998). Te Neues Publishing Company. |
| Beefcake: The Muscle Magazines of America 1950-1970, by F. Valentine Hooven III (1996). Benedikt Taschen Verlag. |
| Picturing Men: A Century of Male Relationships in Everyday American Photography, by John Ibson (2002). Smithsonian Books. |
| Love Makes a Family: Portraits of Lesbian, Gay, Bisexual, and Transgender Parents and Their Families, photographed by Gigi Kaeser; edited by Peggy Gillespie (1999). University of Massachusetts Press. |
| Love Stories: Sex between Men before Homosexuality, by Jonathan Ned Katz (2003). University Of Chicago Press. |
| Strongman: Vintage Photos of a Masculine Icon, edited by Robert Mainardi (2001). Council Oak Books. |
| The Male Ideal: Lon of New York and the Masculine Physique, by Reed Massengill (2004). Universe. |
| American Adonis: Tony Sansone, The First Male Physique Icon, by John Massey (2004). Universe. |
| Gay Pride: Photographs from Stonewall to Today, by Fred W. McDarrah, Timothy S. McDarrah (1994). A Cappella Books. |
| “Let It Be Seen,” by Moraczewska, Marta Malina (2004). Index on Censorship 33(4):211 (October). |
| The Wild Ones: The Erotic Photography of Mel Roberts, photographed by Mel Roberts (2003). FotoFactory Press. |
| California Boys, Photographs from the 1960s and 1970s, photographed by Mel Roberts; edited by Stephen Patrick Foery, Mark Harvey & David Sprigle (2000). Fotofactory Press. |
| Positive Image: A Portrait of Gay America, by Stephen Stewart (1985). Olympic Marketing Corp. |
| Hard to Imagine: Gay Male Eroticism in Photography and Film from Their Beginnings to Stonewall, by Thomas Waugh (1996). Columbia University Press. |
| Wilhelm von Gloeden, edited by Peter Weiermair (1996). Cologne: Taschen verlag. |
